Nightcrawler movie online dating scene

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He is a man of a world where everybody stepped up to the economic brink, then stepped back, knowing just how easy it would be to fall and quoting bland platitudes to themselves to be certain they'll be fine.I found 2014 a very good year for film performances, with even movies I didn't particularly like occasionally featuring an unlikely star turn or character part that made up for other problems.Nina (Rene Russo), the news director at a struggling station who becomes Lou’s most important customer, tells him that that he should “Think of our newscast as a screaming woman running down the street with her throat cut,” a line that has been repeated in almost every review of “Nightcrawler.” But her blunter advice is even more distressing because of how deeply it cuts.Nina tells Lou that he should look for “A victim, well off, usually white, injured at the hands of a minority.” Later, Lou will snap at Rick (an excellent Riz Ahmed), his first employee, “We want victims and not the kind who live on Sixth and Rampart.” But this ugly mathematics of who matters and who does not, what we are entitled to see of the worst moments in other people’s lives and what they are permitted to conceal from us, is part of a much larger formula Gilroy is working out in “Nightcrawler.” Comparing “Nightcrawler” to “Network” or Lou to Travis Bickle does not quite make sense: the movie is not really just about the news business, and Lou is not a delusional loser.He has analyzed the situation and knows that Nina has no other option than to indulge him. Ultimately, Lou progresses to not just filming crime scenes, but to staging them, sabotaging cars, moving bodies and calling the cops only when criminals he is tailing reach neighborhoods affluent enough for the violence that happens there to be of interest to Nina.Lou may be a marginal figure whose vision of success is a small business rather than an empire.But his sense that he has the perfect right to interfere in and even dispose of other people’s lives for his own advancement is far more dangerous than older visions of privilege and entitlement.“What if my problem was not that I don’t understand people, but that I don’t like them?

Lou Bloom is a creature of the 2010s, through and through.Lou, the character Jake Gyllenhaal plays in the darkly funny, terrifically smart little film Nightcrawler, at first seems like a simple riff on someone like Gordon Gekko from Wall Street or Patrick Bateman from American Psycho — a sociopath who has absorbed the lessons of his culture so thoroughly that they have become the blood running through his veins.But look a little closer, and there's a desperation to Lou that feels very post-Great Recession.At the center of the script (and the film's universe) is local television news, a format that decreases in importance with every year.The movie's dark satire of concepts like "if it bleeds, it leads" can seem very simplistic.

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